Description

I'm really very fortunate to have a system and space that are so utterly satisfying to me. I can just get lost in here.

3/22/16 Edit: Earlier this year I replaced EMM Labs DCC2 SE and CDSD SE with an Allnic L-3000 Mk II tube preamp and a Playback Designs MP-5 Reference SACD/CD Player/DAC.  I could not possibly be happier!
Read more...

Room Details

Dimensions: 28’ × 16’  Large
Ceiling: 9’


Components Toggle details

    • Furutech GTX-D (G) Electric Outlets
    Duplex Pure Copper Receptacle w/Gold Plating (2)
    • Hifi-Tuning Gold Hi-Fi Tuning Fuses
    Used in the amp and power conditioners.
    • High Fidelity Cables CT-1 RCA Interconnects
    Analog front end
    • Silver Circle Audio Timewise XLR Interconnects
    3 meter Timewise (XLR Gold Furutech) - Preamp-to-Amp
    • Silver Circle Audio Monorails Speaker Cables
    Bi-wired
    • Silver Circle Audio Vesuvius Power Cord
    Used on SDS, DCC2, CDSD
    • Dream State Audio Lucid Dream 4' Power Cord
    Silver Circle Audio 5.0se (power conditioner for amp) to the amp
    • Dream State Audio Dream Catcher 6' Power Cord
    From Silver Circle Audio 5.0se (amp power conditioner) to the wall outlet.
    • Silver Circle Audio 5.0 Power Conditioner
    Power Conditioner - Front End
    • Silver Circle Audio 5.0se Power Conditioner
    Power Conditioner - Amp
    • Soliloquy 6.5 Speakers
    These speakers punch so far above their weight class that I shudder to think of the cost to better them. SO impressed with these speakers.
    • Sutherland Engineering Hubble Phonostage
    Battery-powered, dual-mono phonostage with custom mods by Ron Sutherland.
    • Miyajima Shilabe
    Luscious sound from this African Blackwood beauty.
    • VPI Industries SDS
    SYNCHONOUS DRIVE SYSTEM (SDS) - Speed Control Device Provides Dead-On-Accurate Speed for Perfect Timing and Lowest-Possible Wow and Flutter From Your VPI Turntable. Motor Speed Controller and AC Line Isolator Improves All Frequencies, Noise Floor, and Imaging
    • VPI Industries Outer Ring Clamp
    VPI Periphery Outer Ring Clamp
    • VPI Industries HRX S/S Center Wt
    VPI - HRX STAINLESS STEEL CENTER WEIGHT
    • VPI Industries Classic 3
    Piano Black wicked beauty with 3D Printed Tonearm
    • Plinius SA-Reference
    Quite possibly the last amp I'll ever own. Glad I got mine 4 years ago since it seems like they've gone up about US$1k per year since then to well over US$20k. Here is a nice review by ToneAudio. http://www.tonepublications.com/review/plinius-sa-reference-power-amplifier/
    • Allnic Audio L-3000 Mk II
    Tube Preamp
    • Playback Designs MP-5
    Reference SACD/CD Player & DAC

Comments 12

Showing all comments by squidcap.

View all comments

The room and the system are hopelessly mismatched. When i see few absorption panels installed on a longitudinal room with sloped roof and our triangle is so pointy you can put out an eye and then a frekin gpower cable is upgraded? What the F? Who ever think this is a good system, is mistaken. No doubt the components individually sound great but the priorities are:

Speakers
Room
Everything else.
Cables.

Speaker response fluctuations are at best +/-1db, usually we are talking about +/-3dB.
Room nodes can have +/-12dB at worst. In a room like this one, that is exactly what we are fighting against. Mountains.
Amps, DACs etc effect on the "sound" is quite minimal and requires very very good room and system to have even a chance of detecting anything. DB tests so far have shown that there are no audible differences between amps driven at nominal level as long as we re talking about gear that is designed to be transparent (amps that deliberately color the sound are not amps but include some processing or filtering). Same has been shows to be true in DACs, if there are differences, they are minimal.
Cables can affect the sound, when we take two examples from opposite ends of spectrum. But again, it is ebatable if we can hear those or not. Roll-off can increase 0.1dB and there is no human alive that can pick that up but it is at least in theory, possible.

So in that sense, where is the logic of marginally improving components that are meant to be transparent while totally skipping the mountains of mistakes. You can't polish a turd, no matter how many bling bling cables you buy, invest in diffusion, arrange your room better, take the freakin gFAN off the ceiling before trying to buy monoblocks, for fucks sake.. That thing is basically a Leslie unit on the ceiling.. and we have cable bling, in the form of power and digital cables, nothing is more idiotic.. Interconnects and speaker cables i can somewhat understand but my electrician training, my audio engineer and sound designer education plus 30 years on the field says: "this guy has too much money and no common sense".

Sell you monoblocks and cables and get a professional, he will fix that room with 4000$ worth of gear and make it sound ten times better.

squidcap