Description

I like the WP 8's ability to reproduce whatever the Joules can send their way. Speed, they can handle the Joule's lighting fast attack transients. The wonderful harmonic textures, decays and inner details the Joules reproduce are handled deftly by the WPs. The bass is strong, tight, detailed and textured.
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    • Basis Audio 2500
    Active suspension with oil and spring.
    • Basis Audio Vector 3 Tonearm
    The 3 is less congested providing more inner detail with more extended hi's and bass. It has a VTA micrometer that will help with finer adjustments.
    • Basis Audio Signature motor
    Had original motor upgraded to Signature. The new Signature is quieter with less cogging.
    • Basis Audio Revolution Belt
    "It occurred to A.J. that the belt itself may be playing a role. He measured a range of the belts on hand, selecting the most accurate (consistent thickness), and found that the tighter the tolerances, the lower the speed variation and better the sound. So how to increase tolerance was the question. A.J. embarked on a crusade that eventually led him to design his own process and apparatus which grinds the belt and to an astonishing accuracy of one-ten-thousandths of an inch!"
    • Basis Audio counterweights
    Lighter main weight with two smaller fine tuning weights positioning larger weight as close to pivot point as possible should result in a quicker reaction time.
    • Walker Audio Ultimate Precision motor controller
    With Valid Points and Control Discs and upgraded teflon circuit board. The improvement in the total presentation is impressive, smooth and clear were the first impressions. The bass seemed more pronounced and better defined; the highs were smoother resulting in a .."more natural sound".
    • Air Tight PC-1
    Just a fantastic cartridge!!!! Loaded at 240ohms, VTF @ 2.1grams. "Like most vinylphiles, I've listened to a lot of fine moving-coil cartridges over the years. The Air Tight PC-1, TAS' 2006 Phono Cartridge of the Year award-winner, is, IMO, the best yet in nearly every aspect of phonographic reproduction - the most complete." - Jonathan Valin, 2007 Golden Ear Award Winner, The Absolute Sound Issue 173, August 2007 "In plain English, the PC-1's magnets produce a much stronger magentic field, greatly lowering noise and coloration and greatly increasing resolution in every regard. Details are clearer, timbres are truer, air is more plentiful, dynamics are more lifelike, and stage width, depth, and height are expanded... a leap forward in moving-coil design." - Jonathan Valin, 2007 Golden Ear Award Winner, The Absolute Sound Issue 173, August 2007
    • Koetsu Urushi Black
    Warm with detail.
    • Koetsu Rosewood
    I need to remount this cart and find if my recollections are correct!!
    • GamuT CD-3
    The best player I heard at my pay grade in my system, coupled with the Joule LAP-150 Mkll it produces an enjoyable sound.
    • Joule Electra LAP 150 MK ll
    The top unit is the separate power supply, the bottom is the pre/phono. Me likey!!!! Changed the tubes to: 3 x Amperex 7025 '66 in 5751 sockets 2 x Amperex JAN 7308 '62 in 6DJ8 sockets
    • Joule Electra VZN-160 Grand Marquis MKV Musicwood
    OTL immediacy/speed, wonderful inner detail, dynamic, delicate, attack matched by incredible decay AAAAA+++++ piece of gear!!!! A privilege to own a joy to listen through!!! The amp themselves can be tuned by adjustments to the voltage with the variacs, biasing the 6C33CB's between (25) to (33) and with a dial provided for adjustments of negative feedback creating the sound you prefer. Presently running Amperex Holland 7025's and Amperex Holland 6DJ8's.
    • Wilson Audio WATT Puppy 8
    I've been changing positions and tuning by ear only. I measure at the top outside rear corner of the Puppy for both back and side wall numbers. This allows a fixed point for side and back wall numbers while toe in is adjusted, this corner being the easiest spot on these speakers to permit this for me. My normal listening db level is 72db to 83db so I'm optimizing the placement for this volume range as I think the boundary distances are dependent on the db level. The outside rear corners are now at 39 3/4" to back wall and 23 3/4" to lt side wall and 23" to rt side wall. The celling rises from 9 1/2' at lt wall to 10 1/2' at rt wall. The tweeters are 101" apart and my ears are 120" from the tweeters with a sliver of the inside of the WATT visible. This is the best sound I've had in my room!!!
    • Purist Proteus Provectus I/C pre > amp
    All copper
    • Purist Proteus Provectus S/C amp>speaker
    Copper
    • Purist Aqueous 20th Anniversary P/C CDP
    This is has been moved from the CDP to the LAP-150 Mk ll.
    • Purist Musaeus P/C pre-amp power supply
    Using to the Joule LAP-150 Mk2 power supply. Will try different cords eventually. This pic is when it was connected to CDP.
    • Purist 20th Anniversary P/C wall to VZN's
    To the tube section of the amps
    • Purist Musaeus P/C 15A to Walker control
    Cable upgrade for TT motor controller.
    • Solid Tech Rack of Silence 4
    Quieter and much nicer to look at than my old racks.
    • Black Diamond Racing The Shelf (2)
    Two 21" X 19" X 3/4" shelves one under TT and one under the pre amp give quieter backgrounds with much greater detail "Made entirely of BDR’s proprietary Carbon Fiber Composite materials and finished with clear acrylic on both sides for an elegant and understated appearance, the BDR Shelf is massive and extremely non-resonant, absorbing enormous amounts of vibration: a BDR Shelf is only ¾” thick, yet it is 25x less resonant than an 8” thick granite slab and has 4 times the vibration absorbing power of 2” thick MDF!"
    • Black Diamond Racing The Shelf (2)
    Two 19" X 15" X 3/4" shelves one under the Joule LAP-150Mkll's power supply and one under GamuT CDP. "Made entirely of BDR’s proprietary Carbon Fiber Composite materials and finished with clear acrylic on both sides for an elegant and understated appearance, the BDR Shelf is massive and extremely non-resonant, absorbing enormous amounts of vibration: a BDR Shelf is only ¾” thick, yet it is 25x less resonant than an 8” thick granite slab and has 4 times the vibration absorbing power of 2” thick MDF!"
    • Solid Tech Rack Of Silence ROS 1
    Amp stands with cross braces suspended by springs and amps feet sitting on Sims Novcom pucks.
    • Solid Tech Rack Of Silence ROS 1
    This is a picture of the ROS 1 Ref without the spring suspension. Currently set up with 1.6
    • Acoustic Sciences Corporation Tube traps
    (2) 16" Supertrap tube traps, (2) 11" Tube Traps, (2) 9" Tube Traps,(2) half round 11", (2) half round 9"
    • Real Traps Mondo Traps
    (4) traps at first and second reflection points
    • GIK Acoustics 242 & 244
    (2) 244 on top of the record cases, (3) 242's on front wall, (1) on wall behind chair
    • Mint LP Mirror protractor
    Fantastic tool for checking stylus alignment
    • Cable Isolators ESD
    Made of Electro Static Dissipative Polyurethane. The jury is still out on the effect these have on the sound but they have helped separate and organize the cables.
    • Sims Vibration Dynamics Navcom silencers
    Used between Rack Of Silence and BDR shelves under preamp and CDP. They are also under the acrylic shelves under Direct satellite box and Walker speed controller shelf.
    • Purchasing Department I-Mac & inter net
    Without this tweak the rest would have been near impossible, at best very difficult and a lot slower.
    • Hickok 539 b
    Roger Kennedy digital mods and calibration. A must have for matching sections, power tubes and to protect equipment.
    • VPI 16.5
    This was a great buy it really make record cleaning a snap!!!!
    • Digital Tachometer no name
    Reads strip of tape on the side of the platter.
    • PHONIC PAA2
    The PAA2 can perform full acoustical analysis using its real-time spectrum analyzer. Thirty-one, one-third octave bands are displayed on the screen real-time with selectable response times (35ms, 125ms, 250ms and 1 second) and weighting options (Flat, A and C). The operator needs to select the SPL (Speaker Pressure Level) range (30-90 dBSPL, 50-110 dBSPL, 70-130 dBSPL) for the test being run. The user can select any of the center frequencies and display the level that was measured with the numbers displayed above the real-time graph. The peak level can also be displayed for reference. There are a total of sixteen memory locations for storing data. The measured spectrum data can be stored to any one of ten memory locations. Averaged data from any or all of the ten memory locations can be stored to the remaining six memory locations.

Comments 268

Owner
System edited: Replaced S/E I/C's with Bal the improvements were impressive!!! Everyone told me the CD3 MKll ,Calypso and VS-115 sounded much better Bal they were correct !!!!!

samhar

Owner
Sns I'm planning to after I do the in progress speaker, I/C purchases. It's encouraging you think the improvement will be huge!!!

samhar

I bet a modded raysonic would compare favorably to the ARC cd3, but then you can always mod the ARC as well.

I hope to get the Mundorfs in the DAC sometime in the next couple of weeks. There really isn't much more to mod in my DAC after that, all the other important caps, resistors, diodes,opamps and RCA jacks have been done.

Get the Raysonic modded, you won't believe your ears!

sns

Owner
System edited: Repositioned H/T rack from left side and behind speaker,moved subs out of corners, removed 5 channel amp( will use Onkyo's internal amps), still awaiting AQ Sky's bal I/C's and Vandy 5'S both should be added to system within 1-2 weeks!!!!

samhar

Owner
I like the CD3 MKll it's more dynamic and more complete in every way and will be #1 in my system. That being said I love the ability to easily roll tubes and the design of the 168, so I'm thinking of getting it modded and keeping it, I enjoy playing around with it so much!!!! The CD3 MKll, Calypso and ARC VS 115 sounded very good together for only having 97 1/2 hrs on the amp. With my subs hooked up the characteristics of the amp were starting to show and I was liking it more every day, it is an "exciting" amp fast,detailed yet not cold with a powerful lower end. I've been told to keep the Calypso until I can buy an LS-26 or Ref 3 it's that good with the ARC gear. You can alter the sound by rolling the 12AX7A's and 6922's which is a feature I really like and my be the reason I keep the Calypso over the ARC pre's!!! Synergy wise it works well with the ARC gear Which ARC amp are you thinking of getting?
If you want a more specific answer let me know.

samhar

I am getting close to pull trigger on the Arc and the Calypso. So I am dying to know your experiences on Arc vs Raysonic and Arc/Calypso synergitic relation.

kentchai

Owner
Added ARC CD3 MKll & ARC VS-115

samhar

Owner
Added ARC CD3 MKll & VS-115

samhar

Owner
System edited: Will up-grade system next week and totally re-build system page!

samhar

Owner
System edited: Moved speakers out to 6' from back wall, not ready to go back to 7'2" yet and put panel at first reflection point !

samhar

Owner
System edited: Built maple and redwood tv mount eliminating table and allowing system to be moved back 10" and generally clean things up. Finely received my S/E M5-HP in exchange for my balanced set !!! Bought a Hickok 539B and some new tubes and I'm ready to roll !!!

samhar

Just wanted everyone to know that I had my cat declawed and she is no longer a threat to my speaker grills or anything else; she sleeps in the listening room just about every night.

bobgates

Owner
Newbee,
I think you are correct with null! I haven't used a test disk yet but will after I return from France, leave 5/27 return 6/17. I discovered the null when I was coming from the kitchen around the left side of the eating counter and noticed an incredible amount of bass more than I remembered at the casual listening position of 13'. Standing behind the chair the bass was stronger also, when I put my head at listening level most of the bass was absent. I just packed my system up because a grandson will be staying here and I don't want any accidents, all this will give me a fresh starting place when I reset up the system.

I originally was using a Pass X2.5 pre with a Pass X-150 and bought the 168 so the sound could be changed by rolling tubes. At first the X2.5 was used and all the interconnects were AQ Cheetah, wow did that sound bad!!! First I changed to Amperex U.S. White Label PQ and there was a significant improvement. I then tried all three Kimber KS series cables, liked the sound but they lacked the detail of the Cheetah not a trade off I was willing to make.Than the X2.5 was removed better but it may have been the removal of the Cheetah cable also. Still the sound wasn't what I wanted so I bought the Quicksilver V-4 and with stock Sovtecs the sound was headed in a direction I liked. In fact after I bought the Calypso and was awaiting its delivery I seriously questioned if I needed it the 168 and V-4 were sounding great. When the Calypso was connected the voices were again thin and airy. It came with Valvo 6922 red shield which are thin and airy, I put more Amperex U.S. White Label PQ in and vola the voices sounded full and natural!!! I think the sound stage is larger and the sound a little fuller and more dynamic with the Calypso plus there is better volume control with both! I put the Calypso at 75 out of 88 and let the 168 land up where ever, the more the Calypso the better the sound.
When I was trying different cables Kimber KS 1111,1121,1130, Cardas Golden Ref.and Cheetah I ran direct from the 168 to the Pass X-150 and the differences were very apparent. The AQ Sky had better detail than the Cheetah with the warmth of the Kimber 1130. The 168 was delivering the info to the cable but most of the cables weren't getting it to the amps.
Every time I think I need a $4000-5000 CDP the 168 comes through so for now it will be my single CDP.
Sam

samhar

Hi Samhar

Re your drapes - they look kinda thin to me to do a lot of good, but your better positioned to know about their effect. If you want to do a check on their effectiveness - listen to them open and closed with your speakers pointed straight ahead as you have them. Now do the same thing but with a severe toe in with the axis of the speakers crossing well in front of your head, creating about the same angle as now exists between you ears and the speaker axis. This should take the first point reflections pretty much out of the equasion and the little left could easily be solved by light drapes. Try it, you might actually like it that way and not change it back. Or not. :-) BTW, re the bass node (or null?), you are probably correct. I assume you have measured it with a test disc/SPL meter? Some times it is a product of room dimensions and will not change much no matter where the speakers/chair is located. (I own one of those nulls in the 40-50hz range.) Some times it is simply the result of the location of the chair and speakers.

Regarding the CDP's. The simple version is - 1)the Raysonic is very detailed, dynamic, and responsive to tube selection. I like it a lot and it is certainly a bargain. But I think it is a unit you have to work with a bit to get the tone you are looking for. In the 'wrong' system it might not be for everybody.

Compared to the Raysonic, the Wadia 302 has (surprise!) a more subdued high end which I find preferable when playing recordings with a lot (too much?) high end energy. This Wadia model is NOT bright, but it still, so far at least, benefits from the use of a pre-amp. I've tried it with every tube amp I have in house and so far I've been close to a good match direct to amp, but ultimately the mid-range was a tad too crisp for me. I'm sure there is a good match out there but I've lost interest in finding it. :-)

The BAT, using OEM tubes no less, is more organic than either. It is warmer than either, has a bit fuller bass, and is more relaxed. It is the original version and I have never entertained the thought of replacing it. I prefer it over the Raysonic by just a small margin because of its warmth.

BTW, are you running your Raysonic thru your pre-amp or are you ging direct? What have you tried? Any preferences?

newbee

Owner
Newbee how does the 128 stack up to the Wadia and BAT?

samhar

Owner
Thanks Bob! I'm glade your happy with the Raysonic. Have you found the tubes in the unused section affect the sound? The speakers are 7'1" out, the couch limits it to max 8'.
Newbee, thought about titleing the room"praying for a pole dance" but only a cat owner would really " know " this feeling!! Will the drapes deal with the first reflection, they are always pulled when I listen. The left side is a real challenge a window and wall meet at the reflection point! The position of the chair in the pictures is 13' from the speakers! I slide my chair onto the rug with my ears 8'6" from the speakers when I'm listening, it is a big difference. The rack on the left side must be affecting something also, there's a sub back there I forgot to list!!! The bass is minimal in the pictured chair position, is that a bass node? You hit the nail on the head as I was feeling it was time to work on the room.

samhar

Great place to move forward from. Love the cat scratching post - good way to keep them from shredding your speakers. I did the same thing and every time the cats come in they go to the post - thats the way they announce their arrival and to get my attention.

Speaking of room/set up issues. You've got some built in ceiling 'treatments' and your floors with the rug is good, but you really should pay some attention to the first reflection points to the sides of both speakers. Those windows could really screw up sound and imaging.

Another thought. Looks like your speaker to listening chair vs speaker to speaker seperation might not be ideal. When you are experimenting the first thing I would do is try moving your chair a tad closer. I know, you've got two chairs. If that is an issue you could, after moving the chairs closer, toe in the speakers until the speakers axis cross in front of the main chair and the left speaker axis points directly at the side chair. That set up not only reduces first reflection point problems, it will absolutely improve the sense of imaging for the person sitting in the second chair. Personally, so long as your speakers positions are producing a balanced bass response, I would think they are already far enuf into the room.

FWIW.

newbee

Great looking system! I have the Raysonic CD168 also; what a nice machine. You may want to bring the speakers further out into the room for better soundstage depth.

bobgates

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