A system now designed to sound both natural and dynamic. My first goal was to reproduce acoustic instruments and voice well enough to create an illusion that they were in the room with you.
Since then I have been working to get a system also able to play funk and reggae too. By using dynamic components such as a Decca cartrdge, a Garrard deck and amps without sluggish output transformers I have got a superbly natural sound without colouration, but with a dynamic and full sound that can put many high-end boxes to shame.
When I've paid for everything here, my next move is to mod the Garrard bearing then look at interconnects, as what I use is pretty basic. I'd also like to get the deck out of the corner but at the moment bass feedback isn't audible so I'm not in a rush. I also have a spare arm and still have a weakness for Ortofon Spu's or maybe a Dynavector DV17, especially for my slightly bright Joni Mitchell albums.
Quad ESL - 57 (Stacked) Rebuild by Onething Audio with OTEC treble panels (Thinner front stator + thinner membrane gives high frequencies without supertweeters)
Roksan Attessa
Top loader with 3 layers of internal sprung suspension
Pink Triangle Dacapo
Bought cheap and resprayed by yours truly
Croft Charisma X
Tube phono/line using 6SL7's and a 6336 in regulation. I have changed some caps to suit my taste so any dodgy soldering is mine not Glen Crofts
Futterman Stereo OTL
Stereo OTL power amp produced for European market and hard-wired by Glen Croft. This is my favourite amp but is not practical for many hours use daily, so I keep it for Sunday best.
Croft Twinstar
One-off version of hybrid mosfet amp using a Cetron 6336B valve for power regulation
Garrard 401
Mounted in home made Birch-ply plinth
Bluenote Borromeo
Really tasty unipivot
Decca Blue
Decca Blue modded and re-tipped by the Garrott Bros.
Versalab Woodblock
I have two of these which I use on digital components. Dramatic improvement when used on DaCapo