Description

In my small dedicated listening room with vault ceilings this is the best system so far. Sonus Faber Guarneri Homage's which were some of the last pair to be brought into the US along with new Jadis JA 30 Mk2 Mono Blocks utilizing KT150's and Smooth Plate Telefunken tubes, a CAT SL1 Renaissance Black Path BPX with phono. The Linn LP12 Radikal D, Karousel/Kore is the front-end with a Lyra Kleos. Esoteric DV60 SACD player, Esoteric D-05 DAC, Alternate ss amp: Jeff Rowland model 8T modded by Jeff. Room tuning devices include the Real Traps Mondo Traps, Mini Traps and Shakti Hallograph's. Grand Prix Monaco amp stands. Audio Art SE-1 power cords with Furutech connectors.Zenwave power cord PL1 with Furutech NCF 50, Zenwave D2 Ultra ic's, Graceline 1.5 meter ic and Black Cat PC-1 Silverstar power cord for Rowland. Two REL T5i subs...running high level off the amp outputs and with Signal subwoofer cables and Supra pc's. Nessie Vinylcleaner.
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Room Details

Dimensions: 11’ × 10’  Small
Ceiling: 13’


Components Toggle details

    • Linn LP-12 Radikal D/Karousel
    belt, 33, no arm, mtr drive upgraded to Radikal D . New Karousel bearing.
    • Linn Radikal
    Radikal D power supply for the LP12
    • Linn Trampolin 2
    Upgrade to the basic Linn base. Minimizes the impact of the support for the table.
    • well tempered wta
    Well Tempered 'Black' arm updated with VDH cabling running all through and dual weighting system
    • Lyra Kleos
    Tremendous resolution.
    • Sonus Faber Guarneri Homage
    New in '06. These are absolute works of art with sound to match. In my small room they are magnificent
    • Convergent Audio SL-1 Ren BPX
    New CAT SL-1 Renaissance Black path BPX with phono
    • Jadis JA 30 Mk2
    Incredible tube mono block utilizing KT150's. 45 watts/ch of Pure Class A
    • Jeff Rowland Model 8T
    250w x 2 upgraded top plate, original choke power supply, far superior to later dual mono unit. Modded to transimpedance modules and ground connect.
    • Nordost Tyr
    Amazing cables and a BIG improvement .
    • Nordost Tyr
    Phono cable
    • Nordost Frey
    Bi-wire Superbly fast and detailed
    • Nordost Red Dawn Rev 11
    2.5 mtr bi-wire set with mini spades for ARC amp. Very fast and detailed.
    • ps audio micro lab
    Micro lab used on Digital only
    • Harmonix footers
    under Esoteric and Radikal D
    • Sound Anchor rack stand rack stand
    Three leg Sound ANchor rack stand with turntable support
    • HARMONIC TECHNOLOGY CYBER PLATINUM
    DIGITAL IC RCA /RCA
    • Grand Prix audio Monaco amp stand with Apex feet
    Grand Prix Audio amp stand in Black with Apex footers under Rowland.
    • Grand Prix Audio Monaco amp stand
    Monaco amp stand with standard acrylic shelf under the ARC D70Mk2
    • Signal cable REL Speakon link cable for REL sub
    • REL Acoustics T5i
    small sub for a small room. 8” long throw driver...Newest model.
    • REL Acoustics T5i
    Second REL T5i, balances the system. Newest model. Long throw 8” woofer.
    • Audio Art Cable SE-1
    Dual cables. Furutech fi-28 R plugs...great match with the Jadis amps.
    • IVAC CUSTOM 1
    All gold power cable for transport.Custom made by IVAC with custom made hospital connectors for REL sub
    • Black Cat Cable PC-1 Silverstar PC
    This one is a game changer for the Rowland amp. Chris Sommovigo has brought one heck of a pc to market!
    • Graceline Cable Graceline One Kibou
    Ic for the CAT to the Rowland
    • Zenwave Audio D2 Ultra
    ic between Esoteric player and preamp.
    • Zenwave Audio PL11 with Furutech NCF-50
    PC for the CAT preamp.
    • Supra LoRad 2.5 Power cable
    DIY Supra Lorad 2.5 in a 1.5 meter run with a 15 amp Wattgate iec and Wattgate plug for the REL sub
    • Cable elevators Plus
    Ceramic lifters to move cables off floor
    • Target turntable/amp stand
    Stand for CD transport
    • Real Traps Mondo Traps
    Dual Mondo Traps for bass trapping. Acoustic room treatment devices. IMHO, a must for any true 'phile.
    • Real Traps Mini Traps
    Mini Trap on rear wall behind listening position.
    • Signal Cable Inc. REL Speakon Link
    REL subwoofer cable from Signal Cable. A BIG improvement on the stock REL cable.
    • Shakti Hallograph
    Room tuning acoustic device. Fundamental improvement
    • Esoteric DV60
    SACD player
    • Esoteric D-05
    Will be for use with a future streamer. Dual mono DAC.
    • Oyaide R-1
    Receptacle
    • Furutech E-TP66G
    Power strip
    • Sablon Audio Corona Reserva
    Power cord from the wall to the Furutech strip
    • Nessie Vinycleaner
    Best record cleaner I have owned.

Comments 215

Showing all comments by lloydelee21.

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I find the original Guarneri Homages have a magic in their balance which is rare. The G Evolutions signal may seem stronger, bolder, more modern/linear/whatever...but as a matter of personal taste, I somehow remain beguiled by the nuance of the original G. Its a funny thing, as it is clear to me that design is part science, part art still.

And for me the Gs are a work of art in the speaker world. Having been fortunate to own them, I would gladly have kept them rather than trade them in many years ago but we have 1 system and it seemed silly to just leave them for 'someday'. But if there is 1 speaker I would have otherwise gladly kept, it would likely have been the original Guarneris. Congrats to both of you.

lloydelee21

Congrats...Nordost and Guarneri have a big following as a combination!

lloydelee21

For sure!

lloydelee21

Congrats!!! Great to hear the tube problem is resolved. Enjoy!

lloydelee21

Tubes! Love-hate! Removing, tapping on table gently and re-inserting can help according to Brent Jessee.

lloydelee21

Nice, Davey! I just rolled out a pair of Mullard 6DJ8s which i use as spares, having just received a replacement set of Amperex 6922s from Brent Jessee. For the first time, i actually found i did not mind waiting for the replacements to arrive...thanks to the EAT tube damper i put on the Mullards! At 19 bucks each, definitely worth a try!

Meanwhile, the Amperexs are more detailed, lithe and controlled thru the spectrum than the Mullards...the one thing i am trying to figure out is if the Mullards were stronger in the upper bass (making the sound seem fuller)...or whether that was an extraneous reverb and given the Amperex's performance everywhere else, whether they are 'correct'. very subtle but other than this point, the Amperexes are staying. (Its just that i am a bass freak and enjoy listening at low volumes and still feeling the slam.)

Enjoy your Mullards! Pls post update over earlier tubes when you get some time!

lloydelee21

Congrats!! I know of a few people who have run Nordost with SF in the past. Enjoy!

lloydelee21

Fantastic Davey! I am really happy to hear...enjoy through the holidays!

lloydelee21

Nice, Davey! Congrats! And i am not one bit surprised! Today's subs are vastly different than the ones of 12+ years ago. All the major designers know the expectations for blending, and continue to work on speed, dynamics, slam to match the incredible performance of speakers like your Gs.

And just in time for the holidays! Now...i hate to offer this...but i have to...

I bought an Auralex Gramma ($60)...a wood isolation platform with carpet on top and heavy duty acoustic foam underneath (instead of decoupling feet).

It is used often by rock bands when placing their drums kits on stages...to produce more consistent performance by isolating bass vibration from the floor.

I took my Velodyne (which was disturbing my neighors) and realized just how much bass is traveling from floor to wall and 'bleeding' up int mids/treble.

The setting without was volume 8...with the Gramma, i had to turn it up to 31!!! I have wood over concrete, but even so, the isolation was clearly beneficial. The bass is now even more defined and articulate all the way down...but the mids/treble was astonishingly more transparent, detailed!

i know...i know...why did i have to suggest this AFTER you dialed in the sub...well, just a suggestion for 2012! ;)

I have no doubt your sub is dialed in beauitfully...enjoy!

lloydelee21

DaveyF wrote: "Bigby,Obviously, I am a little biased towards the GH's..:0)
I like the Cremona's as well, particularly the Cremona M's. However, in
my room....which is pretty small, the GH's are much more of a piece than the original Cremona's when I had an opportunity to listen to both.
I think I pretty much summed up my feelings of the GH's in my review under the A'gon review section.
If you need more in the bottom end and have a bigger room; then I would look seriously at the Cremona's. OTOH, if you can budget for a sub as well, then I would still go with the GH's. IMHO, very few speakers can run with the GH's when set up correctly, including the Cremonas or for that matter even the Elipsa's!"

Hi DaveyF,

I agree with you, having also owned the G's for a number of years...and also owned/auditioned many SF speakers incl Amatis, STradivari, Cremona, Electa, Elipsa...the G is very, very special, and when you hear it well set up compared to Cremona, its refinement, fullness in the mids to upper bass, and compare side by side (imho), it is quite something. Quite something.

I prefer true magic in a certain area rather than excellence across a broader spectrum, but that's my personal preference.

Enjoy the new additions!!!!!!!!!

lloydelee21

Hi Davey

I used to own G's. Try good jumper before u bi-wire...may find it gets u 80% there for less cost. I used Transparent Reference jumpers. Wonderful.

I now have Strads with cj act 2 and zanden dac...comparing Gryphon Antileon Sig and wavac...thoughts?

lloydelee21