Description

My objective is to duplicate the sound of a good jazz venue as best I can. I'll never match it but getting close is fine. I've had various audio components through the years and tubes particularly DHT tubes/ASSET have gotten me the closest.  So this is where I will settle down and appreciate.
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Components Toggle details

    • BPT Signature 3.5 plus
    Balanced AC power is fantastic !! 1800va balanced isolation transformer/conditioner.  All aspects of music reproduction are improved for every single component.
    • Tripoint Tripoint Troy.
    A wonderful grounding box component. When added to my system it increased the sense of natural sound quality and emotional engagement. The Troy has a humanistic and “soulful “ quality to it.
    • Coincident Speaker Tech Total eclipse 2
    This wonderful speaker is transparent,open and involving. It`s large yet completely disappears as the source of sound within the room. Very easy to drive,94db and 14 0hm impedance (Minimum 10 ohm). I replaced the stock Solens capacitor with the Duelund CAST in the crossover.
    • Coincident Statement linestage
    Superb performance. In my opinion , a masterpiece by Israel Blume. As would be expected, a wonderful match with its sibling the Frankenstein MK II.
    • Coincident Speaker Tech Frankenstein mark 2
    A terrific 300b SET amplifier that is the foundation of my system. The EML XLS 300b tubes are a superb match with this amplifier.  

    Acquiring these 300b SET mono blocks changed the course of my music listening experience. They elevated the emotional engagement, tactility and “breath of life “ realism.
    • Yamamoto YDA-01
    Wonderful music lover's DAC that has a very natural/organic sound quality. Duelund CAST addition(output coupling capacitors) makes it sound even better. It has a very minimalist circuit/design that was implemented well.
    • Ocellia Silver Reference IC
    Very natural and pure sounding with excellent tone and timbre preservation.
    • Ocellia Silver Reference Speaker Cable
    Same qualities/ comments as the IC.
    • Star Sound Technologies Sistrum Apprentice component platforms..
    These Star Sound platforms are mandatory in my system. Effectively managing resonance and vibration leads to a very noticeable sound improvement with every component and especially the speakers. Excellent product.
    • High Fidelity CT1 Ultimate Digital cable
    A highly impressive digital cable that mates beautifully into my system. Contributes to the natural sound presentation.
    • Pro-Ject Audio Systems CD Box RS2T
    This is a superb Redbook CD playback transport. It’s both high resolution and impressively natural.

    . I’m  using the  excellent Fidelizer Nikola II LPS. Splendid pairing.  
    • Lavricables Grand and Master series Power Cables.
    Pure silver wire and unshielded power cables. These are used with all of my audio components. They are very open, transparent, high resolution with beautiful natural tone and timbre presentation.
    • Abbas Esoteric Audio 3.2SE
    Built by renown Ukrainian Abbas Zulfugarov. NOS DAC utilizing the classic Phillips TDA 1541 multi bit chip. Two 6080 tubes in the analog stage. 5 various rectifier tubes in the power supplies.

     3 separate toroidal transformers (And 2 chokes ) for the power supplies.A very serious and successful upper tier DAC implementation. Using with the Abbas SPDIF and power cable.
    • Frankenstein tubes.
    Tube complement 
    EML XLS 300b output.
    RCA 5U4G rectifier (1953)
    RCA 6EM7 driver (1960s).

Comments 1956

Hey Charles, just wanted to say I decided to use your system as a blueprint and the switchover to Coincident has been everything you so politely advertised. The SEIIIs and Franks are really just loads ahead of the Thiel/Pass Labs (INT-30A) combo I had before. Unlike many others in the hobby, I listen to a lot of pop-rap, R&B, and electronica inspired dance stuff, and the Coincident gear is most certainly not just for jazz and classical.

Also, during the switch, I did demo the First Watt SIT-2. It imaged very spookily, but as I'm sure you expected, simply didn't recreate instruments as naturally as the Franks.

And I know it is a pain in the ass, but I suspect others would benefit from you re-filling in the system details.

Thanks for sharing your thoughts on the Coincident gear, not a single regret for me.

- Chris

P.S. I did not know about how differently tube amps operated vs SS, and I am so lucky I did not destroy these Franks by leaving them on without a speaker load while I was switching back and forth during amp auditioning. Probably should have read the manual...

cal3713

Owner
Spirit,
You're very pleased with the state of your system and justifiably so. This suggests that the NAT SET 211 mono blocks were the right direction/choice for you (I'm not the least bit surprised).
Charles,

charles1dad

Owner
Hi Spirit,
Nice to hear from you. I am very happy for your successful results given that 4K isn't a trivial amount of money especially when spent on capacitors. I happen to believe that the Duelund CAST are a superior quality product and justify their cost. I feel that you would agree with with the high esteem I have for them. They have been stellar additions in my speakers and DAC and epitomizes natural sound reproduction and increasedmusical/emotional involvement. You'll forever appreciate this decision every time you listen to your music. I certainly do.
Charles,

charles1dad

Charles, just installed Duelund caps on my Zu Def 4s tweeter filter network and Lundahl Hypex sub bass amps.
A true Eureka moment, and these special spkrs have taken yet another leap fwd, the biggest yet, and maybe the last save for a few power related changes.
First the mids and highs were a lot sweeter than I expected, since the fear w/Duelunds is that they can be pretty meh out of the box. What a bonus, and now so much to look fwd to over the next 500 hrs of break in.
But it's the sub bass that is most spectacular. First the new modules have cleared up some persistent hum/noise the original amp modules were prone to. Second, the bass is just a quantum leap better in all respects - cleaner, punchier, more extended, just the right amount of warmth, and behaving like true sub bass for the first time, agile, sledgehammer, but w/zero overhang. My $4k has been really well spent, what an understatement!

spiritofmusic

OK I can rest at night now.

jwm

Jeff, don't fret. As long as it has more artistic merit than an ER polaroid, you are safe from me....

agear

LOL!

lak

Owner
Jeff,
Be aware that by posting pictures you'll be subject to harsh critical analysis of photography quality. It's a cruel world.
Charles,

charles1dad

Agear, I know I'm so bad with those pictures.

jwm

Thanks Jeff. I just need to chat with Viva about the voltage issues.

The Absolare is a dream amp along with the Chalice stuff. Still looking forward to those pictures....:)

agear

Charles is right the 845 Elrog is way way way better than any other 845 I had and by a wide margin.

jwm

Owner
Agear,
I feel much more comfortable making recommendations regarding the 300b tube as opposed to the 845 tubes. My 845 experience is based on listening to Jwm's Absolare PSET amp. The Pavane W.E. Replica was clearly better than the cheaper Chinse tubes and his NOS RCAs. The results could be different with other brands of 845 amplifiers but it was certainly easy to hear with Jeff's amplifier.
Charles,

charles1dad

Charles, the single word descriptor under your system intro page describes precisely how I feel inside about the photographs of your system.

Charles, the lead engineer at Viva recommends basic Sino 845s for the Solista. I have not tube rolled yet, but the stumbling block (apparently) is the high voltage. I am supposed to use 845s that can support it (845A or B?). Any recommendations? The US distro for Viva (Bob Clark) and other end users all recommend the basic Sinos and say the sonic differences of Gucci tubes are minimal.

Bill, you need to resurrect your system thread. How did the surgery go?

agear

I also love reading your system page and look forward to your latest findings Jet.

grannyring

Owner
Hi Jet,
I've enjoyed following your system thread and explorations concerning your custom 300b SET amplifier. So I look forward to your impressions of the Audio Note power supply capacitors. I am very curious to see how they affect the sound compared to the oil and also the polypropylene capacitors.

charles1dad

Bill, I was thinking the same thing about your amp. It is sounding so good, its in the sweet spot -:) I wouldn't upset the apple cart by changing parts at this time.

Pretty soon I'll have something to say about the new AN Kaisei power supply caps, but so far every time I've got home from work this week the sound of these caps change and I have no idea how long the break in takes.

Regards to all of you SET guys and here's to a great weekend!

jetrexpro

Owner
Bill,
Wow! A person with your experience/talent not modifying your amplifier is a significant occurrence and speaks to your satisfaction with it. I would have thought that the temptation/opportunity is too great for you to resist. Just as Joe said, it's so nice to be at a point where you can't wait to turn on your system and just enjoy music. Joe you nailed it.
Charles,

charles1dad

Joe, this is indeed a great place to be. Hard, so hard, to get here. Fun all along the way and so much learning.

grannyring

Charles, I am leaving it alone. I decided to not mod the amp at all. It just sounds so good that I don't care about some electrolytic caps inside.

I will buy gear that needs work and mod, then sell to keep my DIY side happy!

grannyring

Bill,
It's nice to get to a point after all these years where we are finally content with our system. I'm happy for you.
I'm at that point also, and every time I turn on my system it puts a smile on my face. No more analyzing the sound just sitting back and thoroughly enjoying the music.

Joe

snopro

Owner
Bill,
I get your point, it is a matter of getting the right mix of components. This does require some trial and error effort but is worth the time. Given where you are at this point in time, there's no logical reason to upset this terrific balance you have.Is your personality that of one who can't leave well enough alone?
Charles,

charles1dad

I agree Charles. What is interesting is the fact that I have owned several very good 2a3, 45, and 300b SET amps over the years. Amps with James, Magnequest,and ElectraPrint transforms and very good power supplies. SET amps that were paired with SET appropriate speakers like Cain & Cain single driver horn speakers and Silverline.

But never have I heard the kind of natural realism I know have.I have arrived at a grouping of components that have a special synergy it seems.

I will go on record right here, right now, and say I will not break this system up for at least 6-8 years. Ha! Need to make myself accountable :)

grannyring

Owner
Bill,
In my opinion one very important factor in your success is choosing a serious, well designed and well implemented SET amplifier. Your Larry Moore amplifier is far superior to your past SET(P) Dennis Had amp.which IMO is just a decent budget type of amplifier(small,cheap transformers/power supply). YourMonaco 845 resides in a much higher tier and complements the rest of your system.
Charles,

charles1dad

Owner
Hi Bill,
I am very happy that venturing down that pathway has been so sucessful for you. It completely changed my perspective and significantly increase my enjoyment of listening to music six years ago. So of course I know The joy and complete satisfaction you are experiencing at this point. DHT SET is a superb foundation to achieve fully emotionally satisfying music in the home as far as I'm concerned. And yes the of Yamamoto DAC is the ideal partner for this type of presentation. I am utterly pleased with this type of system.
Charles,

charles1dad

Thanks Jeff!

grannyring

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