Description

I don't think I've ever had so much fun putting a system together. There is a great synergy between the components, and the sound is beguiling. There is a sense of immediacy to the music that is truly captivating. Now I see what the SET/single driver fuss is all about!

I can't tell you how gratifying it is to listen on an almost entirely DIY system. Happy listening, everyone.
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Components Toggle details

    • Sony DVP-S9000es
    Digital source.
    • Bottlehead S.E.X.
    With integrated volume control. Fantastic 6SN7 based SET amp. Puts out 2 glorious watts per channel. Built it myself! Upgraded signal wire to DH Labs, upgraded resistors to Kiwame and Holco, upgraded coupling caps to Auricap.
    • Madisound BK-16 Single Driver
    DIY kit from Madisound. Uses a 6.5
    • Pinnacle DigitalSub 150
    Sub, crossed over at 55hz.
    • DH Labs BL-1
    Between Sony and Amp
    • Virtual Dynamics Power 3
    On Sony.
    • Custom DIY Silver Plated Copper
    Soldered directly to Fostex driver and amp.

Comments 9

Showing all comments by bblilikoi.

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I've been considering assebling a system dedicated to choral music like you describe, which seems the most difficult music for my system to play--Beethoven's "Missa Solemnis," Desprez's 20-voice "Qui habitat," Tallis's "Spem in alium," and the like.

I have a Cary SLI-80 with Svetlana KT88s and lots of preamp tubes, a Cary 303/300, and Sonus Faber Grand Piano Home speakers (90dB/6ohm nominal). This is an excellent system for most all other music--symphonic orchestral, opera, chamber, jazz, etc. But large choirs with massed dynamic treble voices can sound very harsh--treble glass, distortion, etc.

Does your SET system reproduce these choirs well? I've been thinking about assembling a SET system based on a PX-25 amp and some kind of single-driver speaker, either C&C or Zu.

Thoughts?

bblilikoi