Description

"1st year anniversary system. I was drawn into the audio world around August 2010 and after a year of reading and listening this is where I ended up. The goal is not, as the title suggests, to have SOTA sound but rather to assemble a decent system for a decent price.

No plans for changes but different more efficient speakers might be on the horizon."

I wrote that in 2011. The goal remains the same in 2014, but since I can no longer be said to be 'getting started' I've moved the page to 'budget minded'(which I certainly am). The move is also precipitated by a shift in emphasis: am looking to capture the full dynamic swings of classical music as well as the rhythmic swings of jazz--my two primary genres. Therefore, the move to a bigger amp (soon) feeding a power hungry speaker.
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Room Details

Dimensions: 23’ × 16’  Large
Ceiling: 12’


Components Toggle details

    • JVC TT 101
    direct drive; double bi-directional servo; electronic pitch control: awesome tt
    • Victor tt 801
    Direct drive turntable, the final iteration of the tt series. Far less complex circuit boards but comes with the same functionality as the spectacularly complex tt 101 plus the option of vacuum suction.
    • Eminent Technology ET-2
    air bearing arm with carbon fiber arm wand; w/custom Discovery Cable wire loom. Mounted on stainless pod.
    • Eminent Technology ET-2.5
    w/ heavy magnesium arm wand and standard pressure manifold designed for Takatsuki pump at 3.6psi
    • Beveridge Audio RM-1/2
    12 tube pre-amp with separate power supply (rm-2). 6dj8 circuit designed by Roger Modjesky. Has neat features such as phase inversion, stereo to mono blending, and a tuoch sensitive mute function.
    • Music Reference RM-9
    with mk2 choke and cap mod. siemens el 34's and RAM kt 88's; gild lion reissue 6922 in v1 position
    • B&W Matrix 801 s3
    the tombstones; aka, the bane of my wife's existence
    • Technics epa 100 mk2 *sold*
    boron arm with very low friction ruby bearings and VTA on the fly. Near universal arm.
    • Denon DA-305
    broadcast arm holding my denon 103 cart.
    • Technics SP-10 mkII *SOLD*
    'Nuded' direct drive sitting on custom machined footers.
    • empire 4000diii
    MM cart
    • azden ym p50vl
    a great cart mounted in an Orsonic headshell
    • Astatic MF 200
    MM. Brilliant with very real, embodied presentation. Oyaide 5n silver leads and technics boron headshell
    • audio technica 20ss
    Hybrid: AT 20ss stylus housed in a AT 15sla cart and mounted in an AT ls12 headshell. Ikeda silver leads.
    • audio technica at155lc
    Hybrid: AT stylus housed in a signet 5ea cartridge and mounted in the original boron headshell for the epa arm.
    • shure n140he
    the snow plow cart. Sounds better with the plow up. Mounted in an Audio Technica headshell.
    • azden ym p20e
    mm cart.
    • Denon 103
    the classic MC cart. my first vinyl cartridge mounted in a LP Gear zupreme headshell.
    • Lightspeed Attenuator LDR volume control
    Passive pre. One input. Incredible sound. If you believe a passive can't be dynamic, audition this one.
    • Music Reference RM-10 *SOLD*
    mk2. Roger Modjeski's masterpiece. Using NOS GE el84 tubes
    • Grover Huffman zx phono cables
    rca-rca for epa arm. Great sounding and deep dark quiet. A bargain.
    • Audio Technica 616 footer
    Great, but expensive and rare, pneumatic footers.
    • Mirko custom tonearm pod
    Custom machined to house technics epa 100 arm. Weighs 16lbs and sits on spikes which screw in/out for leveling. Because of tonearm design, mounting screws are drilled from bottom up.
    • Mint Lp protractor protractor
    Good protractor; easy to use.
    • Audio Technica AT 605 footers
    3 footers supporting Music Reference amp
    • ikeda and kondo headshell leads
    silver leads constructed by the most excellent Audio Origami; very pliable and easy to work with--but delicate.
    • Herbie's Tenderfoots
    good for light duty, although its effects are rather subtle depending on context
    • custom footers
    Four 4" stainless steel footers underneath sp10, courtesy a'gon member Ct0517.
    • EAR ISODAMP SD sd125
    Self-adhesive semi-rigid damping sheets used to dampen the metal motor cover of tt. Cut into strips and applied wherever there isn't venting holes.
    • Jasmine LP2.5DU MM/MC Phono
    solid state, unique in that it can take two mm arms or two mc arms or one of each; gain for mm is high
    • Surgex sx 1115
    8 outlet no MOV surge protector; makes no difference in sound that I can detect
    • Oyaide hsr-ag 5n silver headshell leads
    surprising how much of a difference these make; stiff and a bit hard to work with
    • Victor x-1/ii mm cartridge
    TOTL Victor MM cartridge: aluminum cantilever, shibata tip(Jico). On a victor/jvc ph-8 headshell w/kondo silver tags. I owned the original stylus (beryllium cantilver) but stupidly broke it.
    • oyaide tunami
    power cord. the connector barely fits on the rm10. benefits: perhaps a lower sound floor but nothing startling. first tried on phono stage and noted no difference.
    • analysis plus solo crystal and silver oval-in
    between baf and preamp, and preamp and amp.
    • Teradak U9VA Linear Low noise Power Supply
    to power the Lightspeed Attenuator. sitting on ebony cones courtesy of A&B Systems HK
    • JVC ph-8 headshell
    10g hs
    • Signet sk305
    electronic stylus cleaner
    • 47 Laboratory Deerskin Platter Mat
    very thin and incredibly supple
    • audio technica at 636
    pneumatic insulators: 6-36kg load; useful and relatively easy to acquire, unlike its brother, the 616.
    • Discovery tonearm wire
    custom made by Discovery Cable, 45
    • victor pigskin platter mat
    NOS. Was an optional accessory for the tt101. Two sided: pic is of the sueded side; the other side is completely smooth, almost like rubber. Never seen anything like it.
    • victor pigskin platter mat
    smooth side
    • astatic mf 2501 w/ mf300 stylus
    NOS moving flux, titanium bonded elliptical stylus;
    • Maughan Box Listen Up
    Bass alignment filter for B&W 801's: flat to 20hz; cuts off somewhere? below that to prevent woofer pumping due to record warps. Definitely works to do the latter.
    • fabreeka iso 24A
    pneumatic isolation platform
    • timeter pcs 414
    w/ wob-l motor; for the et2 arm
    • makeshift aligment jig
    for et2 arm, inscribed on the back of a mint lp protractor
    • parker 14e mini filter/regulator
    for et2 arm; marshall 0-15psi gauge
    • victor/jvc dt x1ii stylus
    'natural diamond'; beryllium cantilever and tension wire
    • acutex M420str
    tri-radial diamond, MM
    • victor/jvc z1s
    z1s with rare shibata z1s stylus designed to 4 channel systems
    • neotech nei 3001
    custom made by the guys at sonic craft using furutech fp 120 rca's, used to connect stage with baf.
    • TTM Oil damped Stabilizer
    record weight, 770g.
    • tt 101 bearing grooves victor
    grooves caused by friction at contact point?
    • Sony TA-E88
    w.phonostage, equipped with very flexible MM loading options: 10k-100kohm (in 10k increments_ and 100-500 pF (in 100pF increments)
    • JVC /Victor tt 101 bearing well
    w/new /SiNi bearing ball
    • zyx silver wire loom custom
    tonearm wire loom, 1877 rhodium clips, zyx silver wire and xhadow rca's. wire is incredibly flexible, perfect imo for use with the et2 tonearm.
    • TTM Mat 2
    3kg and 6mm high stainless steel mat with 'tuning' holes; designed to be paired with TTM's oil damped weight
    • Timeter aridyne 2000
    provides 50psi of dry air through each of 3 on demand outlets. Used to run et 2 arm and fabreeka pneumatic platform
    • JVC Victor Laboratory eq 7070
    phono pre that can accommodate 3 arms; variable loading for MM carts
    • Victor GTT 3000B
    glass platter mat to be used in conjunction with victor pigskin sheet

Comments 135

Showing all comments by albertporter.

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Banquo363,

I emailed you couple of pages of data on the TTM weight and mat. Hope it makes sense. Instructions are more obvious when you have both in hand.

Image of TTW weight, plastic insert removed and sitting on top

http://postimg.org/image/f3scq2pir/

Image of TTM weight at angle where one compartment is easily visible. I’ve made this more obvious with help from Photoshop. At least this way you can get an idea.

http://postimg.org/image/g4slf76ib/

albertporter

Banquo363
d'uh: forgot to name what I bought--TTM oil damped stabilizer

The oil is inside the stabilizer, if you look at the top of the TTM with light at low angle you can often see three compartments (small divots show position) that hold oil.

The spindle hole has threads on the top half, so I must be missing some screw tha tholds the oil?

That thread is to accommodate an additional weight sold separately by TTM. The weight attaches to the current weight, making it taller and heavier.

The TTM weight is my favorite provided it’s used with TTM mat. They are matched to function together and as with all things high end audio, results are subject to preferences.

The TTM mat is quite heavy and no problem with Technics MK3 table. Cannot vouch for compatibility with other turntable designs, but non suspended tables seem to be bothered less by the additional mass.

I have at least six record clamp/weights and have experimented with many others. Like cable and footers there is quite a range of sound from each. Suggest you proceed slowly and enjoy the journey to decide which combination is right for your system.

Should you decide to mate the TTM weight with TTM mat there are instructions about the three center adjusting screws that occupy the area where the record label rests. It’s a bit complicated but I can email you if you care to explore.

albertporter