Description

My second digital system began as an experiment to see how much I could better the sound quality of the first. It will forever be in a constant state of evolution. With foundational knowledge that power means everything in a good set up, I put all my effort into getting right what I didn’t with the first system - power and connection. The ‘boxes’ had to be obviously well matched, but the primary task at hand was everything else that brought power to the boxes and connected them. I wanted to do as little as possible with room acoustics by way of panels and/or active digital systems which would manipulate the signal for room correction, without sacrifice to sound quality, to which the irregularity and atypical space of my listening room helped greatly. All exposed walls in front of the plane of the speaker driver’s were treated to thick drapes on tracks (curtains basically) in order to create a wide range of different sound absorption configurations. The listening room is eccentrically rectangular, with practically no right side wall, and the left side enclosure begins three feet away behind the left speaker, then drops back to five feet in front of the plane of the driver. The speakers are placed with drivers six feet from the front wall, eight feet (2.4m) apart, with the listening position about seven feet (2.1m) equidistant from each driver. The back wall sits about six feet (1.8m) from the listening position. The ceiling is almost ten feet high, with the full height drapes on tracks along the close left side wall and across the back wall reducing the amount of morning light coming into the space, while allowing for adjustability with unwanted reflections.

The audio rack is a custom mobile steel vertical frame for ease of complete cable isolation, with retractable wheels and wellfloat delta isolating feet to handle a kiloton of weight, and low frequency sprung isolation for independent shelving made from 6mm perforated sheet steel damped in a 6mm and 10mm plywood sandwich.

A great variety of different streamers, servers, dacs, amplifiers, preamplifiers, isolation products, power distributors and cables have passed through this system, for extended comparative listening sessions.

More vital than how the system sounds now, is the way my listening abilities have developed over the past years. 
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Room Details

Dimensions: 18’ × 26’  Large
Ceiling: 10’


Components Toggle details

    • Wolf von langa wvl 23239 Chicago
    Field-coil-dipole bass/midrange drivers with 1608cm2 cone area / dipole silk paper field-coil midrange driver / custom mundorf dipole air motion transformer / adjustable stereo base width  and time alignment at listening position / 95db sensitivity / 35hz to 25khz frequency range.
    • Wolf von langa wvl 12639 SON
    Field coil bass/midrange driver with passive cone and dipole air motion transformer / 93db efficiency / 25hz to 25khz frequency range / Townshend podium isolation.
    • Tellurium Q Black diamond speaker jumper cables
    For speaker binding posts of the SON
    • Cube Audio Nenuphar (retired)
    stock single driver full range TQWT floor standers - 92dB sensitivity / 30Hz to 18kHz frequency range / custom isolation frame. An amazing speaker that was ultimately surpassed.
    • Tekton Design Moab (retired)
    With beryllium tweeter.
    • Townshend Audio Seismic Isolation Podiums
    Size 3 / E cells for WVL Chicago
    Size 2 / D cells for WFL Son
    • IsoAcoustic gaia isolation feet with customised speaker isolation platforms IsoAcoustics GAIA (retired)
    The speaker isolation platforms had to be customised because the cube nenuphar speaker employs passive downward pointed port for its lowest frequencies, tilted back for greater bass impact to the front of the speaker - with clear gaps of 40 to 41mm at the front and 5 to 6mm at the rear of the speaker base to the floor, it was not possible to use any isolation products just off-the-shelf: regular OEM feet would have just raised the speakers a standard level height off the floor, and something like the Townshend podiums would have had a damped platform itself right where a solid floor surface had been designed for the downward exiting low frequency waves. The customised platforms are made of 6mm thick stainless steel and plate, cut and welded to design in order to be lift each speaker to it’s designed angled height off the floor surface, in tandem with three Gaia 1’s for each speaker, calibrated and matched by weight of speaker to Isoacoustic’s specifications. The jump in sound quality, of natural and dynamic timbre throughout, nuance of bass, and fleshy rather than ‘wet’ realism, was unexpected and bordering on shocking.
    • Siltech Cables Royal triple crown speaker cable
    Arguably the most significant change to the realism of sound in my system - as though a bottleneck had been cleared to allow everything upstream to finally come through. I have never heard such a change to sound quality in any cable regardless of cost, as I have in the siltech triple crown cables.
    • Tellurium Q silver diamond speaker cables (retired)
    stock banana connectors with custom plastic cable lifters made from flexible subsoil drainage piping and zip-ties.
    • Rythmik Audio F12SE subwoofers
    Four F12SE servo-assisted subwoofers in an asymmetrically configured distributed bass array. Fed from pure silver power cords from lavricables and supra subwoofer signal cables split wired from the high level signal path of the speaker binding posts. The subwoofers sit on basic douk audio spring isolation feet for the high amplitude vibrations experienced by low frequency excursions inherent in subwoofer drivers.
    • Arya acoustics Revopod isolation
    six in total for isolating the base mass damper the amplifier sits on.
    • Lavricables Grand line power cables
    For each of four subwoofers.
    • darTZeel NHB-108 MKII amplifier
    With CMS 2m isolation.
    • Line Magnetic AS125 tube amplifier (retired)
    18W 211 SET power amp - NOS RCA 211 power tubes / NOS Sylvania 6SN7 drivers (80s) / NOS Telefunken 12AX7 input tubes (80s) / / Hifi Tuning supreme fuses

    The amplifier that began and tuned the journey of my second system was also ultimately what held it back, it’s western electric based hand-wound transformer insufficiently coiled to deliver the highest frequencies for timbre and air.
    • darTZeel 50ohm interconnect
    sitting between the preamp and amp.

    Aside from a very high level of realism in all areas, these interconnects bring quality to nuance of bass frequencies I have never heard before with any other interconnect.
    • darTZeel NHB-18 NS mk2 preamplifier
    With CMS 2m isolation.
    • Line Magnetic AS129 preamplifier (retired)
    tube preamplifier - NOS RCA 6J7 amplification tubes (70s) / NOS RCA 274 (5U4) rectification tube (80s) / Hifi Tuning supreme fuses

    This preamplifier, cost for value, was easily one of the best components in the system, doing everything preamplification is supposed to do. Everything else levelled in my listening space, it came close to equalling the Pilium Ares preamplifier at close to five times its cost, with A/B listening required before the strengths of the Pilium could be identified over the LM129.
    • Siltech Cables Royal triple crown XLR interconnects
    Together with the siltech triple crown speaker cable; an amazing lift to realism of sound in my system.
    • Western Electric NOS RCA braided cables (retired)
    with ETI research brio rhodium-plated banana RCA connectors between DAC and preamp.

    A component level of an interconnect cable in this specific system, specifically between the DAC and preamplifier. It elevates sound quality to realism in body and air. But between the preamp and amp, it smears and muddies bass frequences.
    • Ansuz Acoustics P2 RCA interconnects (retired)
    Between DAC and preamplifier.
    • WADAX SA Atlantis DAC
    current reference DAC with CMS 2m isolation. 

    Compared in the same listening space with a large variety of other DACs of multiple price points, the wadax atlantis possesses a degree of realism unparalleled by almost all others. It is more realistic than the stock MSB select II DAC in every aspect of timbre, soundfield, mid range, nuance and control of bass, bettered only in the highest frequencies and finest details. The select II exhibits better soundstage when running on XDMS, but even so, is unable to keep up with the depth of realism with the wadax on roon, which it’s architecture was built around and upon as a foundation.
    • Holo Audio May KTE DAC (retired)
    stock - previous reference DAC.
    • Computer Audio Design CAD USB filter (retired)
    Connecting laboga USB cable to DAC.
    • Laboga Ruby USB cable
    Connecting taiko extreme server to DAC, with CAD USB filter piggybacked on DAC USB inlet port.
    • Sablon Audio Reference USB Cable (retired)
    Connecting between server and DAC.
    • Computer Audio Design USB II-r cable (retired)
    Connecting between server and DAC
    • Tellurium Q Silver diamond USB cable (retired)
    Connecting server to DAC.
    • Tara Labs Digital ism AES cable
    Connecting PS Audio transport to DAC.
    • PS Audio PerfectWave DirectStream Memory Player.
    with CMS 2m isolation. Fed with the Furutech v1 power cable, the transport performs at a shocking high level, even if not with the same refinement or realism as the extreme server/wadax DAC combo.
    • Taiko audio SGM Extreme server
    With CMS 2m isolation.
    • Critical Mass Systems Centre stage 2m footers
    For server, DAC and power supply, preamplifier, amplifier, and transport.
    • Auralic Aries G2.1 (retired)
    stock wifi streamer - much better externally streamed with ASus mesh satellite router with Farad super 3 linear power supply. No difference in sound quality hardwired, with or without audiophile switches and Ethernet noise reduction bandaids.
    • Taiko Audio Switch and network card
    Connected between Taiko router and extreme server with 0.5m DAC cables.
    • Laboga Ruby Ethernet cable
    Connecting satellite router to taiko router, and between taiko switch and taiko extreme.
    • Taiko Audio Router / dc power distributor
    connecting between ASus router and taiko switch with 1.2m sablon audio ethernet cable and 0.5m DAC cable.
    • Laboga 5.5/2.5 dc power cables
    Feeding taiko switch and router.
    • ASUS Computer International Zenwifi ax6600 satellite and mother routers
    Each fed by Farad super 3 linear power supplies with custom silver power cabling and sablon audio Ethernet cables to stock network supplier modem.
    • Sablon Audio Ethernet cable
    For connections between modem and ASus mother router.
    • Farad Super 3 linear power supplies
    With custom level 2 silver cabling and upgraded synergistic research orange fuses, for power feed to taiko dc power distributor, modem and mother/satellite routers.
    • Computer Audio Design GC3.1
    One each for signal and earth ground cables, with a combination of CAD and Bibacord ground cabling.
    • Chord Company Groundaray
    Twelve groundaray bullets plugged into the unused terminals/ports of various pieces of equipment - three into LAN ports of modem and two routers; two into USB ports of server; three into BNC and RCA ports of DAC; and four into RCA and XLR ports of preamp. The groundarays plugged into source equipment make the greatest difference to sound quality, removing the haze and all the edge that characterise noise. Are passive grounding solutions such as the CAD grounding boxes and these groundarays better than active solutions with their connections to power outlets? Time will tell.
    • Puron 240v line conditioner
    These are plugged into three sets of power distributors - five into the distributor powering two Farad super3 linear power supplies for the modem/mother router front end; two for the first shielded and unfiltered distributor for the subwoofers and Farad LPS for the satellite Wi-Fi router; and three more into the last shielded and unfiltered wall outlet feeding just the single power cable to the SA-TT7 power distributor.
    • Swiss Digital fuse box 240V / 0.5A / 0.8A / 2A
    This little device that will fundamentally change how electrical protection systems for audiophile equipment are designed has replaced the traditional fuses in my server, DAC, and all farad super3 linear power supplies for my modem, routers, and switch. A final one serves the power supply for the field coil drivers of the WVL speakers. The Swiss digital fuse box is the single greatest value for cost addition to my system.
    • Furutech Project v1 cables
    Connecting single dedicated line of Furutech shielded wall outlet to power distributor with C19 20amp connector, and between distributor to server, DAC, and CD transport.
    • Inakustik Reference AC-4004 air power cable
    Between distributor and amplifier. I have found the best power cables to work best between distributor and source equipment of server, DAC and transport. The inakustik reference air power cable gives best balance feeding the amplifier.
    • Ansuz Acoustics C2 power cable
    stock power cords between distributor and transport, linear power supply for satellite router and power supply for field coil speakers.
    • Shunyata Research Alpha NR V2 power cable
    For connection between Furutech wall outlet and preamp external battery power supply.
    • Lavricables Grand power cable
    For power connection to all subwoofers.
    • Synergistic Research Powercell SX (retired)
    With all components previously connected except for the power amplifier high voltage input and the preamplifier. This power distributor was disappointing.
    • Synergistic Research SRX power cable (retired)
    Connecting the powercell to the Furutech shielded wall outlet.
    • Sound Application SA-TT7 240v
    Almost everything we speak about in reference to the sound from our speakers, be it timbre, nuance, pitch, accuracy and balance of frequency range, ‘air’, soundstage or ‘musicality’ is due to one thing only - completeness of depth of field; from a global sense of what is perceived in width or placement of voice and instrument in a quartet or entire orchestra, to the smallest detail of human voice in its journey from throat to the particular way it emerges from the space of each unique mouth, or the specific character of fretwork a guitarist executes on his or her instrument - accuracy and completeness in the reproduction of depth of field in audio playback is what characterises realism in sound quality. Dynamics is one of the only characteristics of speaker delivery that sits apart. In both depth of field and dynamics, the SA-TT7 does it better than anything else I have ever heard my system plugged into.
    • Furutech #1 and #2 e-TP609 NCF unfiltered AC Power Distributor
    with internally rewired CB10 cabling enhanced with NPS1260 contact fluid, installed as a six plug wall power banks with Furutech NCF booster bracing for all outlets; and hardwired to the house mains distribution panel with Furutech CB10 10 gauge wiring to a 50amp circuit breaker.
    • Wellfloat Delta isolation base - 20mm height
    Four isolation bases for each leg of the tower audio rack. The one kiloton capacity of the deltas have replaced four Townshend seismic isolation corners that were barely holding up to the extreme load of the rack.

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